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Experience. Work full-time at least three years in this eld, that is, in a bank, brokerage, or other nancial services operation. The individual is expected to have done counseling, planning, or advisory work with people on a one-on-one basis for compensation. Ethics. The person must sign and adhere to a professional code of ethics each year. CFPs are also required to complete 30 hours of approved continuing education every two years to keep their licenses. As of 2002, there were more than 40,000 CFPs in the United States. Licenses have been taken away from about 150 people to date. In addition to the CFP license, ask the planner about his or her education. The CFP Board of Standards requires a college degree. Ask whether the person has a subspecialty in some area of planning. If so, how does that work Does the task fall to you to nd other experts or will your planner do that, and in that case what are the nancial arrangements Find out if the planner can coordinate with your attorney or CPA when necessary. If the planner manages money, nd out how much is under management. The three years of work experience required to qualify for the CFP license is a good baseline. But I recommend you nd someone with ve or more years of experience. Planning is an experienced person s game. Veterans will not only have a better feel for the markets, how investing works over the long term, and how to meet the needs of clients, but they ll also have a track record to speak of. Financial planners don t have standard performance records like mutual fund managers do, because they gear each plan to the needs of a spe-

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7.94 Given (he network in Fig. P7.94a and the input voltage shown in Fig. P7.94b, use PSPICE to plot the vo ltage V(,( t ) over the interval 0 :5 ( :s 4 s using a 20-ms step size.

The first row in the table contains the field names: Title, Author, Pages, and Published. Each subsequent row contains a complete record. This table is in no particular order; however, one of the reasons why databases are so powerful is their sorting capability. If you were to sort the BookTitles table by page count, listing the books with the fewest pages first, it would look like the following table.

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Despite the text in the dialog box, it does not set the default cell margins or spacing for tables. It sets those only for the currently selected table.

A task is similar to an appointment in that it is something you must do. It is different in that it does not have a speci c date or time associated with it, although it may well have a due date by which it is supposed to be completed. In this sense, Outlook tasks are pretty much like a paper to-do list that you stick on the fridge. When you look a little deeper, however, you ll nd that tasks can do so much more:

The miniature toolbox on the left side of the window contains seven tools for distorting your image You drag or click with the tools as explained in the next section (You can even select tools from the keyboard, as indicated by keys in parentheses) But before you begin, here are a few basic facts: n All tools respond to the Brush Size setting on the right side of the window Press the right and left bracket keys ([ and ]) to raise and lower the brush size by 2 pixels This is a bit of a departure from Photoshop s standard painting tools, where pressing [ or ] routinely changes the brush size by 10 pixels or more To change the brush size in the Liquify window more rapidly, press and hold [ or ] Throughout, your cursor reflects the approximate brush size.

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Note, however, that most distortions affect the pixels at the center of the cursor more quickly than those on the perimeter n The Brush Density setting determines how much feathering the edges of your cursor have while you are creating your distortions A smaller Brush Density setting means that effects are more localized to the center of the brush n The Brush Pressure option controls the impact of the tools as you drag across your image; higher values produce more pronounced effects If you work with a pressure-sensitive tablet, select the Stylus Pressure option to make Photoshop adjust the tool pressure based on the amount of pressure you put on the pen stylus n Available when you use the reconstruct, Twirl clockwise, Pucker, Bloat, and Turbulence tools, the Brush Rate option controls the strength of these tools when you click on a particular area but keep the cursor still.

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